Talking Like Adam Curtis

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I can say that I have sat through the whole of HyperNormalisation. It is arduous viewing, putting it kindly. It’s extremely rich, some might say decadent. If Bitter Lake was a cornerstone, I suspect this film is the excess that followed from it. Everything about it is overdone. If you’ve followed Adam Curtis closely, you’ll note that the footage carries with it his obsessions from recent years. He was writing about Iran, Syria and Libya on his blog back going back five years. For more 15 years or more, Adam Curtis has been able to captivate mainstream audiences with his … Continue reading

Where to start with Adam Curtis

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A friend asked me where they should start with Adam Curtis. It’s a good question. Curtis has been making films since the early 1980s and really came into his own in the 1990s and 2000s. His latest films Bitter Lake (2015) and HyperNormalisation (2016) constitute a break with the past insofar as he has taken his style to its end. What follows next may be a great decline, or it could be a radical new phase in his work. But let’s get back to the question. The latest films may be hard-going for newcomers to the Curtis style. So I’m going to list my … Continue reading

The BBC is not ‘left-wing’

You often hear the BBC described as having a ‘left-wing’ bias. This is despite all the evidence to the contrary. The logic behind such accusations seems to be that the state and its institutions are inherently ‘left-wing’. Although the BBC is somewhat removed from the market pressures heaped upon private companies, it is still subject to the same sorts of political pressures facing state bodies. The absence of advertising and corporate sponsors does not leave them totally beholding to the state. The BBC does enjoy an aloof relationship with the state. Of course, though the BBC is a public service … Continue reading