Oscar Wilde: The Soul of Man under Socialism

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The chief advantage that would result from the establishment of Socialism is, undoubtedly, the fact that Socialism would relieve us from that sordid necessity of living for others which, in the present condition of things, presses so hardly upon almost everybody. In fact, scarcely anyone at all escapes. Now and then, in the course of the century, a great man of science, like Darwin; a great poet, like Keats; a fine critical spirit, like M. Renan; a supreme artist, like Flaubert, has been able to isolate himself, to keep himself out of reach of the clamorous claims of others, to … Continue reading

Bukowski: Poetry for the damned

If we turn to the post-Beat scene of writing from the American West Coast we find many noteworthy literary creatures. The poetry of Charles Bukowski stands in contrast to Houellebecq’s nihilism. Bukowski’s dirty realism pulsates with the same themes as Houellebecq albeit with much more in the way of exuberance. He doesn’t so much languish in complacent affluence as live and breathe the filthier side of life. Bukowski remains an essentially American writer in his unabashed individualism, which serves to complement the reservoir of squalor and misanthropy in his prose. He has no coherent social message to convey only defiant … Continue reading

High-Rise is not so far from reality

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The new film adaption of JG Ballard’s classic 1975 novel High-Rise has been a while coming. Much like the power-cuts that interrupt life in the novel’s namesake, various attempts to translate the book for cinema have been erratic, and ultimately failed. But with director Ben Wheatley’s effort garnering positive reviews and critical acclaim, perhaps it is useful to reconsider the story’s meaning. High-Rise tells the story of Robert Laing – a middle class doctor who moves into a complex of futuristic, luxury tower blocks just outside of London. The building where Laing lives is designed to provide everything its residents … Continue reading